CS Colloquium Speaker: Prof. Nick Montfort, Professor of Digital Media, MITWHEN: Monday, December 5, 2016
10:00 AM – 11:00 AM
WHERE: Technological Institute, Room L440
2145 Sheridan Road
Evanston, IL 60208 map it
AUDIENCE: Faculty/Staff – Student – Public – Post Docs/Docs – Graduate Students
CONTACT: Lana Kiperman (847) 467-0028
CATEGORY: Lectures & Meetings
The EECS Department welcomes Prof. Nick Montfort, Professor of Digital Media, MIT.
Montfort will present a talk entitled “TBA”, on Monday, December 5 at 10:00 AM in Tech Room L440.
Bio: Prof. Nick Montfort develops computational art and poetry, often collaboratively. He is a professor at MIT and is the principal of the naming firm Nomnym. He lives in New York and Boston.
Montfort earned a Ph.D. in computer and information science from the University of Pennsylvania, a Masters in creative writing (poetry) from Boston University, a Masters in media arts and sciences from MIT, and undergraduate degrees in liberal arts and computer science from the University of Texas.
Projects of Montfort’s include several very small-scale poetry generators such as the ones in the ppg256 series and Concrete Perl; the group blog Grand Text Auto; Ream, a 500-page poem written in one day; Mystery House Taken Over, a collaborative “occupation” of a classic game; Implementation, a co-written novel on stickers documented in a book; the interactive fictions Winchester’s Nightmare, Ad Verbum, and Book and Volume; and several other work of digital poetry and art, including the collaborations Sea and Spar Between (with Stephanie Strickland) and The Deletionist (with Amaranth Borsuk and Jesper Juul).
Montfort works in several different contexts, which include the Web, book publication, and the literary reading but also the demoscene (e.g., the collaboration Nanowatt, shown at Récursion in Montréal) and gallery exhibition (e.g, From the Tables of My Memorie, exhibited in Boston and Singapore and the collaborative Boston exhibit Programs at an Exhibition). He translates computational art and writing and organizing the translation project Renderings; his own work has been translated into half a dozen languages. For instance, his free-software computer-generated novel World Clock was translated to Polish and published in ha!art’s Liberatura series, which also includes Finnegans Wake. Many of Montfort’s works have also been modified and transformed by others to become the basis for new work; his short generator Taroko Gorge has been the basis for more than two dozen published remixes.
Hosted by: Prof. Ian Horswill
Transatlantic Cultural History, 1700-Present: A Digital Investigation
Monday, 24 October 2016, 6 pm
Harris Hall L40
Please join Project Directors Anaïs Fléchet (Université de Versailles Saint-Quentin-en-Yvelines, France) and Gabriela Pellegrino Soares (University of São Paulo, Brazil) as well as US Group Leaders Michael J. Kramer (Northwestern University) and Richard Candida Smith (University of California, Berkeley) for a brief introduction to this new digital history/humanities project followed by an opportunity to discuss the project. Faculty and students in all fields welcome. Food and drink provided.
What is Transcultur@? An international collaborative research project led by a Franco-Brazilian team of scholars in the humanities, social sciences, arts, and literature. Its purpose is to produce a “Dictionary” of Transatlantic Cultural History: an online exploration, edited in four languages (English, French, Spanish, and Portuguese), whose aim is to analyze the cultural dynamics of the Atlantic Area and its central role in the modern processes of globalization. Questions? Please contact Michael J. Kramer, History/American Studies/Northwestern University Digital Humanities Laboratory, [email protected].
Funding provided by Northwestern University Digital Humanities Laboratory; Chabraja Center for Historical Studies; Buffet Institute for Global Studies; Alice Kaplan Institute for the Humanities; France Berkeley Fund; The Institut des Amériques, the Institut Universitaire de France, the Centre National de Recherche Scientifique, the European Research Council, and the Fundação de Amparo ao Pesquisador do Estado de São Paulo.
Dear HASTAC Members,
Now is the time to apply for HASTAC Scholars, or encourage your students to apply! The application period closes on October 15. Please apply here or share this link with interested colleagues and students: bit.ly/apply-to-hastac-scholars.
All graduate and undergraduate students are welcome to apply. Scholars who identify as members of historically underrepresented or marginalized groups are especially encouraged to apply, as are groups of students who are part of the same program. The application is not lengthy, and the program connects students with a valuable network of peers across the country.
Beginning this year, Scholars will be admitted for a two-year cycle. During their second year, Scholars will be encouraged to take on greater leadership and peer mentoring roles. We think that this extended timeline will go a long way toward building peer mentorship structures and keeping consistent activity and energy on the site year-round.
Please don’t hesitate to email us with any questions at [email protected].
Our very best,
Allison Guess and Kalle Westerling
HASTAC Scholars Co-Directors
Please join the Ordinary Media Workshop this Wednesday 10/12 at 4pm in the seminar room of the Alice Kaplan Institute for the Humanities in Kresge Hall.
Patrick Jagoda (University of Chicago), “Gamification, Public Humanities, and Ordinary Media Interventions”
Patrick Jagoda is Associate Professor of English and Cinema & Media Studies at the University of Chicago. He specializes in media studies, 20th and 21st-century American literature, and digital game theory and design. He is the author of Network Aesthetics (U Chicago Press, 2016) and co-author of The Game Worlds of Jason Rohrer (MIT, 2016). He is co-founder of the Game Changer Chicago Design Lab and serves as co-editor of Critical Inquiry.
Amongst Digital Humanists: Developing Research Capacities in Digital Scholarship
Smiljana Antonijević Ubois
Penn State University/Royal Netherlands Academy
Friday, 07 October 2016, 10:00—11:45 am
Alice Kaplan Institute for the Humanities, Kresge Hall
Smiljana Antonijević Ubois, PhD, explores the intersection of communication, culture, and technology through research and teaching in the U.S. and Europe. Smiljana’s most recent publications include “Developing Research Tools via Voices from the Field” (ACRL, 2016), Amongst Digital Humanists: An Ethnographic Study of Digital Knowledge Production (Palgrave Macmillan, 2015), “Personal Library Curation” (The John Hopkins University Press, 2014), and “Working in Virtual Knowledge” (MIT Press, 2013). Her latest research projects are Digital Scholarly Workflow, the Pennsylvania State University; Alfalab: eHumanities Tools and Resources, Royal Netherlands Academy of Arts and Sciences (KNAW); Digitizing Words of Power, University of Amsterdam; and Humanities Information Practices, a collaboration of the KNAW, Oxford Internet Institute, and University College London. For more information see www.smiljana.org.
All welcome regardless of digital humanities experience. Coffee and snacks provided.
Each year the workshop includes several public events which are open to the public. All events are hosted by the Alice Kaplan Institute for the Humanities, located in Kresge Hall on the Evanston campus. [map]
Miriam Posner, Digital Humanities Program Coordinator, UCLA
Tuesday, August 30
Alice Kaplan Institute for the Humanities
Steve McLaughlin, PhD Candidate, School of Information, UT-Austin
Wednesday, September 7
Alice Kaplan Institute for the Humanities
Teaching tools, or: how I learned to stop worrying and love wikistorming (almost)
Marie Hicks, Assistant Professor of History, IIT
Thursday, September 8
Alice Kaplan Institute for the Humanities
BETWEEN HUMANITIES AND THE DIGITAL, PART III
eds. Patrik Svensson and David Theo Goldberg (MIT Press, 2015)
Friday, 5/27, 10am-noon (Rescheduled from 5/20)
PART III – (pp. 329-506)
*held in Gender and Sexuality Studies Program Conference Room, 1800 Sherman Avenue, 4th floor*
The Northwestern University Digital Humanities Laboratory invites those interested in this emerging field of interdisciplinary scholarship to join us for a three-part reading group.
No previous digital humanities experience required.
Books are available for free at the AKIH to interested faculty, students, and staff.
Attend one or all discussions as your schedule and interests permit.
Please email NUDHL co-convener Michael Kramer, [email protected], with any questions.
PhD Student, Department of English, University of Chicago
*** Attention: please circulate ***
CALL FOR PAPERS
DHChicago: New Archival Knowledges
University of Chicago, May 19-20, 2016
Organized by the Macroanalysis & the Humanities Working Group
DHChicago seeks to bring together scholars from across the Chicagoland area and across the disciplines to present work on one of the most promising areas of the digital humanities: macroanalysis, or the computational analysis of textual data and metadata. We are specifically looking for presenters whose work engages with questions, some of which may include:
- What new knowledges can computational approaches produce about large cultural archives?
- How can we fold these knowledges back into existing debates within the humanities?
- How compatible are humanistic questions and computational methods?
The broader goal of DHChicago, building on the work done by organizations such as the Chicago DHCS Colloquium, is to lay groundwork for longer-term intellectual support by fostering inter-institutional and inter-departmental ties, connecting scholars to new resources, and creating new networks of potential interlocutors and collaborators for future endeavors. To this end, the conference seeks presentations that favor a practical, “under the hood” approach. We welcome presentations on ongoing as well as finished projects, and we encourage presenters to talk about the process of building their projects from the bottom up. What problem does the project address? Why did you choose a certain method to engage this problem? How did you arrive at a particular visual representation of your research?
Daniel Shore will deliver a keynote address on Thursday afternoon, entitled “In Defense of Search,” from his forthcoming monograph, Cyberformalism (Johns Hopkins UP, 2017). The conference will take place on Friday. Shore will also be leading a workshop that day on the syntactical analysis of regular expressions. Please email us to sign up to attend the workshop.
Nicholas D. Chabraja Center for Historical Studies
invites you to apply for a summer fellowship!
The CCHS is co-sponsoring a summer 2016 fellowship at the Evanston History Center (previously the Evanston Historical Society) http://evanstonhistorycenter.org/ for 4-7 weeks in the summer (June/July/August all possible).
Sam Kling started on this project last summer and can tell you more about it. Here’s his description:
This job entails processing and cataloging digital files of Evanston newspapers, then uploading them to database software to make them accessible to the public online. It will be a self-directed project, so an ability to work independently is essential. It will require use of database software such as Omeka. If you have experience with Omeka or similar software, great. If not, this will be your self-directed opportunity to learn. You’ll need to take advantage of digital humanities resources at Northwestern, build relationships with library staff, and coordinate with the Evanston History Center. At the end of this process, you will have managed and carried out an important public history/digital humanities project–an impressive accomplishment and an attractive item on a CV!
The Center will pay a stipend of up to $3,000, either as a summer fellowship ($1000 per month for June-August) or as taxable Special Pay ($30 per hour). Please send your application to Elzbieta Foeller-Pituch at[email protected] by Monday, MAY 9.
Application materials should include the ff.:
- Current CV with contact information
- One-page explanation why you are the right historian for this project.
- A one-sentence e-mail approval from your dissertation advisor.