Northwestern conservators are currently engaged in a research project which has allowed us to explore the relationship between manuscript and print culture in Renaissance Italy as well as the possibilities for using multispectral imaging and x-ray fluorescence (XRF) to unlock the secrets behind a recycled vellum manuscript used to cover a 16th century Italian binding.
Northwestern holds a rare copy of Hesiodou tou Askraiou Erga kai hemerai (the Greek poet Hesiod’s Works and Days), printed by Bartolomeo Zanetti in Venice in 1537. The printed text is derived from a 15th century Greek manuscript currently held by the Biblioteca Marciana in Venice.
Scott Devine and Tonia Grafakos will teach a course on the Northwestern Hesiod in August 2015 at the Montefiascone Conservation Project Summer School. Course participants will recreate the original binding and learn more about the results of our ongoing research. The course description and images below provide additional details.
Montefiascone Conservation Project Summer School
Week Two: 3-7 August 2015
Italian Stiff-Board Vellum Binding with Slotted Spine
This course will explore the use of parchment as a covering material for stiff-board bindings. Participants will recreate a vellum over boards binding of Hesiod’s Works and Days printed by Bartolomeo Zanetti in Venice in 1537. This style of binding was used in Venice c. 1490 – 1670 and often characterized by the use of recycled vellum manuscripts applied flesh side out. The binding features sewing supports covered with alum tawed patches; the vellum over the patches is cut away, creating small slots which allow for greater flexibility in opening. Additional structural features, including transverse spine linings and a wide fore edge turn-in, help to balance the tension of the vellum on the boards and limit warping.
Drawing on their recent study of similar bindings at the New York Public Library, the Newberry Library and the University of Chicago, course tutors will discuss how this binding style evolved and eventually fell out of use, providing an interesting case study of the economics and aesthetics of 16th and early 17th century Venetian book production.
Some knowledge and experience of bookbinding or book history would be useful, but is not essential. All materials will be supplied at a nominal cost. Participants will need to bring basic bookbinding tools. The tutors will contact prospective students well in advance of the class with suggested readings and a list of recommended tools.
To register or learn more, visit The Montefiascone Project.