For this project, I had trouble finding sounds because I needed to find modern or new sounds for this old arcade game. I chose an old arcade game that got turned into a 4k video to match the new modern sound. In the game, you play a police officer who chases down a bad guy in a sports car. The game aims to catch the bad guy and crash into him multiple times so you can destroy his car. Like I said finding sounds was very hard so I included my car under the tunnel to match the game when the car goes into the tunnel. I also tried to add helicopter sounds when it was flying over the car. I also tried to match the drifts and include a drifting sound whenever the car drifts. I think that was the hardest part. I used many different sounds in this project. This project taught me how to match sounds perfectly with what is going on in the video. It also tested my patience because I had to keep fixing all the small mili-second mistakes as well. Regardless this project was very fun to make and work on I learned a lot of new things and I am proud of the outcome.
I chose a Mortal Kombat fight scene and added retro sounds like the fire explosion and the hits as well. I also added sounds for the ice and the boat in the end while it was hitting the wood platform.
For this project finding the right sounds was very hard I tried my best to fit the sounds to match everything happening in the video. I used a lot of sounds and sound effects to make it what it is right now. Something challenging was stopping at each second to see what I could add sound-wise and what would sound good at that second. I enjoyed piecing it together bit by bit and seeing the progress as I was going. It was tough to find the sound of the needle for the compass moving but in the end, I used the sound of a soda can after it was opened. I had to slow down many of the sounds to make them fit well. I decided to keep the music in the background because I felt it added a nice touch to it as well as I did not want the video to just be sound effects that would have not sounded nice at all. I had to play with the volume of each sound to make sure nothing was too loud or too low. I enjoyed this project more than the first one because I got to choose the video that I wanted to sound design. I feel like My choices were perfect for this video they fit well and make the sound design way better than the original which was only the music.
The soundtrack features a mix of traditional African music and contemporary compositions. Drums, chants, and other elements may be blended with modern instrumentation to create a unique and culturally rich sonic landscape. The sound design includes high-tech sounds associated with Wakandan technology. Futuristic elements such as the activation of the Black Panther suit, the sound of energy weapons, and the use of vibranium might be prominent. Additionally, action scenes could feature dynamic and impactful sound effects.
The overall ambient soundscape may incorporate both urban and natural sounds of Wakanda. Cityscapes with advanced technology, combined with the sounds of nature, contribute to the movie’s unique setting. Clear and impactful dialogue is crucial in a trailer. Characters’ voices may be highlighted, and key lines of dialogue may be emphasized to convey the movie’s themes and story. Smooth transitions between scenes are likely accompanied by appropriate sound effects. These could range from subtle environmental sounds to more pronounced audio cues that guide the viewer through the trailer. The sound design plays a significant role in establishing the trailer’s pacing. The tempo of the music and the intensity of sound effects are likely orchestrated to match the trailer’s narrative flow, building tension during action sequences and allowing for quieter moments of reflection.
In the sound design of the “Black Panther” trailer, the use of drums plays a crucial role in creating a dynamic and culturally rich auditory experience. The trailer incorporates traditional African drumming patterns, which include the use of djembe drums, talking drums, or other percussive instruments. These drums are known for their distinctive sounds and are often associated with various African cultures. The drumming follows specific rhythmic patterns that enhance the pacing of the trailer. Changes in drum patterns coincide with shifts in the narrative or the intensity of the scenes, contributing to the overall excitement and engagement. The traditional drum sounds are seamlessly integrated with modern music elements, creating a fusion that reflects both the movie’s African setting and its contemporary, high-tech themes. The use of drums also carries cultural significance, helping to establish the identity of Wakanda and its people. Drumming has a long history in African cultures, serving various purposes, from communication to celebration. During action sequences, the drums intensify, providing a powerful backdrop to the visuals. The rhythmic and percussive elements might synchronize with the on-screen movements, adding a layer of excitement and enhancing the overall impact. Drums can carry symbolic meaning, representing strength, unity, and the heartbeat of a nation. The sound of drums in the trailer symbolizes the resilience and power of Wakanda and its people.
I tried my best to match the actions with what I felt were the right sounds from the guns in the back to all of the major blasts. I also added music to the background because I saw it as a trailer. The scene was a battle in the world of Star Wars. There are major actions when they are falling or even getting hit by a bomb. I edited the whole video instead of just editing part of it. I learned a lot from this experience and enjoyed it as well.
Walking into an old haunted house, 50 people entered throughout the years, none of them left. Ghosts, monsters, and clowns. The monster takes the shape of your worst nightmare and makes you even more scared of it. Two friends walk in after a dare. None of them leave.,……
Nominated for the best sound editing, Gary Rydstrom and Michael Silvers are well-known sound editors and designers in the film industry, and they both worked on the animated film “Monsters, Inc.” which was produced by Pixar Animation Studios and released in 2001. Gary Rydstrom is a highly acclaimed sound designer and director who has won multiple Academy Awards for his work in sound editing and sound mixing. He has worked on various blockbuster films, including several from the Star Wars franchise, as well as other Pixar films like “Toy Story,” “Finding Nemo,” and “Ratatouille.” Rydstrom’s expertise in sound has made a significant impact on the world of cinema. Michael Silvers is a talented sound editor and designer who has also worked on a wide range of films, including various Pixar productions. He collaborated with Gary Rydstrom on “Monsters, Inc.” and contributed to the film’s immersive and creative sound design. Their work on “Monsters, Inc.” helped bring the animated world of monsters and the sounds of Monstropolis to life, enhancing the overall cinematic experience for audiences. “Monsters, Inc.” was one of the early films to take full advantage of surround sound technology.
The “23-19!” scene in “Monsters, Inc.” is one of the memorable moments in the film. It occurs when one of the human objects, a child’s sock, makes its way into the monster world of Monstropolis. The CDA (Child Detection Agency) is immediately alerted, and a full-scale emergency is declared when a “23-19” is reported. In this context, a “23-19” refers to a situation where a foreign object or contaminant from the human world is discovered in the monster world, and it’s a grave matter that requires immediate attention. Sound plays a crucial role in creating tension and humor in this scene. In the “23-19!” scene, you’ll notice multiple layers of sound. There’s the primary layer of the characters’ voices and movements, but underneath, you can also hear the distant echoes of the bustling Monstropolis city, which adds to the atmosphere.
Alarm Sounds: The scene starts with an urgent alarm blaring, which immediately grabs the audience’s attention and sets the tone for the emergency. The loud, repetitive alarm creates a sense of urgency and chaos.
CDA Dispatch Radio: Throughout the scene, you can hear the dispatchers at the CDA headquarters communicating with the field agents via radio. The distorted and authoritative voices over the radio add to the sense of panic and the urgency of the situation.
Footsteps and Monster Reactions: As the sock is discovered and the CDA agents arrive, the sound of monster footsteps, gasps, and murmurs is amplified. The exaggerated sounds of monster reactions, such as growls and screams, add humor to the scene as the monsters panic over the seemingly dangerous sock.
Sound Effects of the Contaminated Sock: The sock itself is treated as a dangerous object. When it’s handled, there are exaggerated sounds to emphasize its significance, even though it’s just a harmless sock from the human world.
Chase Sequence: The scene includes a comical chase sequence as the CDA agents pursue the sock. The sound of their footsteps, sliding, and comedic mishaps as they try to capture the sock adds a playful element to the scene.
Music: The musical score by Randy Newman complements the sound effects, enhancing the suspense and humor. It underscores the chaos and the absurdity of the situation.
