Digital Humanities Summer Faculty Workshop @ NU

The Alice Kaplan Institute for the Humanities, assisted by generous support of the Arthur Vining Davis Foundation, is proud to host the upcoming Digital Humanities Summer Faculty Workshop at Northwestern University, from August 5-16, 2013. The workshop is dedicated to supporting and building scholarly digital humanities research and pedagogy projects that contain meaningful roles for undergraduate students.

We are pleased to announce that this year’s workshop will feature five exciting presentations open to the public:

 

Tuesday, August 6, 2013:
1:30-3:00: Steven Jones (Loyola University Chicago), “The Emergence of Digital Humanities”

 

Thursday, August 8, 2013:
1:30-3:00:
Marie Hicks (Illinois Institute of Technology) on digital humanities undergraduate teaching and curriculum change
3:30-5:00: Kathryn Tomasek (Wheaton College), “Encoding Historical Financial Records: Pedagogy and Research in a Digital Edition of a Local Primary Source”

 

Wednesday, August 14, 2013:
1:30-3:30: Amanda French, “Building Scholarly Digital Archives with Omeka”

 

Friday, August 16, 2013:
1:30-3:30: Tanya Clement (University of Texas, Austin), “Project-based Digital Humanities in the Undergraduate Curriculum: A History, a Few Principles, and Some Suggestions”

 

All presentations will take place in the Alice Kaplan Institute for the Humanities Seminar Room, 2-2370 Kresge Hall, 1880 Campus Drive, Evanston, IL 60208. You can learn more about the Digital Humanities Summer Faculty Workshop at http://sites.northwestern.edu/dh/workshop. Please contact Emily VanBuren with any questions: emilyvanburen2012@u.northwestern.edu. We hope to see you there!

CFP: 8th Annual Chicago Colloquium on Digital Humanities and Computer Science

The Chicago Colloquium on Digital Humanities and Computer Science (DHCS) aims to bring together researchers and scholars in the humanities and computer science to examine the current state of digital humanities and to identify and explore new directions and perspectives for future research.

This year, the 8th Annual Chicago Colloquium on Digital Humanities and Computer Science will take place December 6-8, 2013, on the Lincoln Park Campus of DePaul University. The conference will consist of a plenary address by a significant Digital Humanist, as well as panels, roundtables, or other kinds of sessions proposed by scholars relating to recent issues and advances in the digital humanities.

Interested scholars are invited to present proposals for individual papers, entire panels or roundtable sessions by September 15, 2013. Panels will consist of three papers and a commentator/moderator, although other formats are possible. Panel proposals should include a title and brief description of the session as a whole (300 words or less), along with paper titles and abstracts (300 words or less) of all panelists. Short-form CVs (1-2 pages, including institutional affiliation and contact information) should also be attached. Proposals for individual papers will also be considered and are encouraged.

All proposals should be sent by email to BOTH of the Program Co-Chairs for the conference: Professor Robin Burke (rburke@cs.depaul.edu), and Professor Paul B. Jaskot (pjaskot@depaul.edu). Applicants will be informed regarding inclusion on the conference program by September 30, 2013.

Registration will be free. Participants and other interested scholars may register beginning in Fall 2013. At that point, information on the venue, detailed program, local arrangements for hotels and other pertinent information will also be available at the DHCS website: http://chicagocolloquium.org/.

 

CFP: Digital Death: Mortality and Beyond in the Online Age

CALL FOR SUBMISSIONS
Digital Death collection
(10/1/13; 12/1/13)

We invite proposals for a collection of essays on the subject of
Digital Death: Mortality and Beyond in the Online Age. This proposed
book, co-edited by Christopher M. Moreman and A. David Lewis, will
consist of 12-15 chapters representing a diversity of perspectives and
approaches to the subject. We are seeking submissions for new writing
from scholars across a spectrum of fields, including religious
studies, theology, media studies, digital humanities, and any other
area that explores the topic of death and dying in a digital
environment, with reference to religion and/or the study of religion.

Digital Death includes analyses of mortality, remembrances, grieving,
posthumous existence, and afterlife experience via a variety of
digital media (e.g. Facebook & social media, World of Warcraft & video
games, YouTube & video services, internet memorials, etc.). We invite
proposals for papers of excellent academic merit on any topic and from
any academic perspective or discipline.

Proposals should include a 200-300 word abstract, a one-page C.V., and
potential titles for the chapter, submitted to cmoreman@gmail.com by
Oct. 1, 2013; complete 5000-7000-word drafts in Chicago format of
accepted abstracts will be due by December 1st, 2013.


Christopher Moreman
<cmoreman@gmail.com>

“Digitizing the Historical Record”: Some Thoughts & a Preview

Hi fellow NUDHLers,

I hope each of you are enjoying some time off this summer. I realize that I’ve neglected the NUDHL blog, but catching up I was glad to have Emily point me to the Claude Fischer Ngram piece. I’ve been toying around here and there with the Ngram viewer, rather uncritically thus far, I might add, so some deeper thinking about its scope and its utility are certainly welcome.

As some of you may know, I spent a week last month in beautiful Charlottesville, Virginia at Rare Book School, which has been held at UVa since 1992. The courses offered at RBS traditionally treat the material qualities of manuscripts and printed books; topics usually include descriptive and analytical bibliography, paper production and watermark study, paleography and illumination, engraving and woodcuts, that kind of thing. However, the curriculum has been taking a digital turn that, I think, really showcases the continuities that must be understood when we think about manuscript, print, and digital modes of communication. With Rare Book School, TGS, and the NU Department of English, NUDHL was a co-sponsor for my participation in the course “Digitizing the Historical Record,” led by Bethany Nowviskie and Andy Stauffer. Both learned from Jerome McGann during the 1990s at UVa, where they now work today as Director of Digital Research & Scholarship and Associate Professor of English/Director of NINES , respectively.

I’m not going to write much else here, since I’ll be talking in the Fall about the take-aways of this seminar and the practical applications for our own community at Northwestern. But I will say that the course included students from a variety of ages and backgrounds (librarians, scholars, editors, graduate students – the last one, me!) and that it was conducted in a kind of round-table format not unlike what we do in our NUDHL meetings. With Bethany and Andy’s advice, we structured a substantial amount of time toward thinking about a particular project that we’d been working on – in my case, this was “The Spenser Engagements,” about which some of you heard me and Josh speak during the Spring. The course’s content addressed some of the concerns we have articulated and pressed upon throughout the last year, including but not limited to: What should a digital scholarly project look like? What is the role of design in digital scholarship or a digital archive? What kinds of language should we use when we discuss our work with administrators and colleagues who may not be familiar with or warm to digital approaches to these humanistic issues? What bearing do these transformations we’re seeing today have upon the university library, broadly understood? What bearing do these transformations have upon graduate education, and what can we do to make it (more) sustainable?

I admit that no hard and fast answers emerged, but the five days of conversation were fruitful and sparked a lot of ideas. Take this as a teaser, then, and I hope all of you have a pleasant summer! Much more to come.

ASK

CFP: American Art History and Digital Scholarship: New Avenues of Exploration

Call for Papers

Archives of American Art, Smithsonian Institution

American Art History and Digital Scholarship: New Avenues of Exploration

November 15-16, 2013, Washington, DC

The Archives of American Art announces an upcoming symposium, American
Art History and Digital Scholarship: New Avenues of Exploration, to be
held at the Donald W. Reynolds Center for American Art and
Portraiture, in Washington, DC, on Friday, November 15, followed by a
one-day workshop at the Archives of American Art on Saturday, November
16.  We seek proposals for Friday’s presentations and applications for
participation in Saturday’s moderated workshop.

The purpose of the symposium is to convene scholars, archivists,
librarians, graduate students, technical experts, and the public to
consider American art history in a digital world. The symposium will
examine ways to integrate digital tools and/or resources into the
study of American art and to encourage collaboration.

Conference organizers seek original, innovative scholarship from a
variety of disciplines, institutions, and research centers. The
symposium will assess the potential values and limitations of
technical tools in digital humanities including crowdsourcing,
high-resolution imaging and dynamic image presentation, mapping,
visual recognition software, network analysis, topic modeling, and
data mining. Are there particular digital tools and methods that will
transform research? What new knowledge can be gained? The symposium
will also consider future directions in the fields of art history and
digital humanities so that research centers and archives can prepare
for emerging research trends and questions. Additionally, the
symposium may consider the creative potential of online publishing for
presenting peer-reviewed scholarship in American art.

Day One symposium will feature talks and panels by key thinkers and
innovative practitioners who are currently using digital approaches to
advance the study of American art.  Papers may address the following
topics: research practices and trends, tools and methods, pedagogy,
publishing, and outreach.

Proposals should include a 300-word abstract and a short CV and be
sent via email to AAAsymposium@si.edu Deadline for submissions: August
15, 2013

Day Two workshop will be a moderated discussion on developing
partnerships and projects in the field of American art. The success of
new ventures in digital research depends on collaborations among
archivists, scholars, teachers, students, and IT specialists. What can
we learn from each other? Participants should apply via email at
AAAsymposium@si.edu and submit a brief statement of interest about
potential applications of digital research for American art history.
Please include in your statement particular subject areas, methods,
and/or projects that you would like to develop.  Organizers may screen
applications for Day Two to ensure a wide representation of
specialties, subject areas, and institutions.
Deadline for registration: September 30, 2013

Confirmed speakers will be required to submit a revised abstract by
October 30, 2013. The symposium will be free and open to the public,
webcast, and archived for later viewing. Schedule and materials will
be posted to www.aaa.si.edu/symposium

Funds for travel and accommodations are available for accepted speakers.

This symposium is funded by the Terra Foundation for American Art.

For more information about the symposium, please contact Kelly Quinn,
Terra Foundation Project Manager for Online Scholarly and
Educational Initiatives quinnk@si.edu.

For more information about the Archives of American Art visit aaa.si.edu.

Mary Savig

Curator of Manuscripts
Archives of American Art, Smithsonian Institution
Phone: 202.633.7959 | Fax: 202.633.7994
SavigM@si.edu

Ngram-ing, Big Data, Literature, & Culture

Fellow NUDHL-ers —

Happy summer! Hope you’re all finding a bit of time to decompress after a hectic academic year. I think I’m a bit late to the party on this one, but have just started really looking at Google’s Ngram Viewer. I recently happened upon this blog post by UC Berkeley’s Prof. Claude Fischer, and thought I’d throw it on here for those of you who don’t track the #NUDHL Twitter tag.

I’m really interested in some of the challenges confronting this kind of analysis, which Fischer mentions at the end of the post. For example: Which books are included for analysis, and how representative are they of broader cultural and social belief systems, linguistic patterns, etc.? How can this kind of tool account for the ways the meanings attached to particular words and phrases change over time? (I also wonder: how can this kind of analysis account for the fact that words and meanings are continually being discursively contested?)

Anyway, thought it was an interesting summary that some of you might like to read. Happy June!

 

DHQ articles

Catching up on the DHQ, thought nudhlers might be interested in the following articles:

More good stuff at http://digitalhumanities.org/dhq/.

Judith Butler on the Value of the Humanities

Fellow NUDHL participants,

Just following up on our discussion today with that link to Judith Butler’s recent commencement speech at McGill. As I mentioned in the seminar today, it strikes me that many of her questions about the value of the humanities are the same ones we’ve been kicking around all year. She addresses the contemporary critique which we were discussing:

And now, most certainly, there are new voices of skepticism, asking: What value do the humanities have? Are they useful? Can we measure their impact, their outputs, their profits?

It’s a great talk, and I’m interested in what everyone thinks about DH and its possibilities for reconceptualizing the same questions and challenges Butler addresses here.

You can listen to the whole talk (and read a few excerpts) at Brain Pickings.

HASTAC@NUDHL Scholar Reports

For HASTAC@NUDHL Scholars

Final Reflections Reports

Please assemble your report into one pdf file and email to mjk@northwestern.edu and j-enteen@northestern.edu.

1. A one page reflection (single spaced) on what you accomplished this year as a HASTAC@NUDHL Scholar and how the experience has altered your sense of digital humanities in relation to your own intellectual and professional development. What did you learn and achieve this year? Where do you wish to go next in the digital aspects of your graduate education?

2. Documentation of your participation on the NUDHL blog, HASTAC website, and/or other relevant avenues of digital humanities activity (screen shots, pdfs, etc.).

3. Documentation of any other digital humanities research, teaching, and other activities this year (blog posts, teaching syllabi and screen shots of course website, essays written for courses, conference participation or presentations, department-related activities, papers submitted or published).

4. A one page description of ideas, comments, critiques, suggestions for NUDHL. How would you like to see the lab develop in terms of your own intellectual development as a scholar?

Of course, let us know if you have any questions about the reports. We look forward to seeing you at an upcoming NUDHL meeting.

Best,
Michael and Jillana

Notes on NUDHL #8: Defining DH @ NU

A great big thanks to Emily, Amanda, Andrew, Kevin, Beth, and all the other HASTAC@NUDHL Scholars for organizing a productive meeting!

A few “takeaways”:

We need to move from talking just about graduate education and DH in an all-purpose way to (1) the different stages of graduate education (1st year vs midpoint vs. home stretch) and DH and (2) where the intersections are among disciplines in graduate training and where it’s good for different disciplines to be just that: different—and then how DH can help to mediate those points of convergence and divergence in productive ways.

To me, the example of Andrew’s research encourages graduate students to (1) go for it with whatever tools you have at your disposal…dive in and explore, dead ends and negative results can be just as productive as brilliantly clear breakthroughs; digital humanities can encompass toying with MS Word or even pen and paper…”Why not?!” (2) think about the digital as both a tool of analysis (screwmeneutics, heuristic, analytic in the literal sense and think about it as a tool for visualization, narration, dramatizing an argument you already have articulated; (3) talk with others, consult, converse, seek new perspectives on your research questions, go deeper into your specialty and explore more broadly across different methods; (4) visualization of a poem, the poem as a visual object, comparative work through the digital, layering versions, and other ways that the digital is quite literally (literature-istically?) fertile, productive of new readings and interpretations.

Josh’s presentation reminded me that there is an emerging network or constellation of people, resources, projects, and interests at Northwestern. The challenge is how to give these better “definition,” more support, more instances of connection and elaboration.

– Michael