David Lee

Honors in Creative Writing

Mary Kinzie Prize for Poetry

The Escapist

 

It is fear that leaves me

dropping into my recesses,

 

popping memory open like

a folding chair and watching,

from its sagging depths,

the parade pass by:

 

neighbors chattering in the streets,

a home that you know is loving

from the way the deck chairs are arranged.

 

It was my grandmother who taught me

that visions don’t have to be religious,

 

that these moments of quiet baptism

in the font of inherited memory

 

don’t mean sainthood,

but something haloed nonetheless.

 

I know without asking

that she is seeing the same thing.

 

That the scenes were sewn

into the hems of her stories,

and woven into my mind among them.

 

These places could be real, she’d say.

 

We can let them be real.